Revo Records Opening Times : Monday - Saturday 9.30AM- 5.00PM : Sunday 11.00AM - 4.00PM.
Revo Records Opening Times : Monday - Saturday 9.30AM- 5.00PM : Sunday 11.00AM - 4.00PM.
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MUDHONEY - DIGITAL GARBAGE
REVO RECORDS

MUDHONEY - DIGITAL GARBAGE

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FIRST RUN COLOURED VINYL - MP3 DOWNLOAD - NEW VINYL

Since the late '80s, Mudhoney - the Seattle-based foursome whose muck-crusted version of rock, shot through with caustic wit and battened down by a ferocious low end - has been a high-pH tonic against the ludicrous and the insipid. Thirty years later, the world is experiencing a particularly high-water moment for both those ideals. But just in time, vocalist Mark Arm, guitarist Steve Turner, bassist Guy Maddison, and drummer Dan Peters are back with Digital Garbage, a barbed-wire-trimmed collection of sonic brickbats. Arm's raw yawp and his bandmates' long-honed chemistry make Digital Garbage an ideal release valve for the 2018 pressure cooker. "My sense of humor is dark, and these are dark times," says Arm. "I suppose it's only getting darker." Digital Garbage opens with the swaggering "Nerve Attack," which can be heard as a nod both to modern-life anxiety and the ever-increasing threat of warfare. The album's title comes from the outro of "Kill Yourself Live," which segues from a revved-up Arm organ solo into a bleak look at the way notoriety goes viral. Arm says: "people really seem to find validation in the likes-and then there's Facebook Live, where people have streamed torture and murder, or, in the case of Philando Castile, getting murdered by a cop. In the course of writing that song, I thought about how, once you put something out there online, you can't wipe it away. It's always going to be there-even if no one digs it up, it's still out there floating somewhere." Appropriately enough, bits of recent news events float through the record: "Please Mr. Gunman," on which Arm bellows "We'd rather die in church!" over his bandmates' careening charge, was inspired by a TV-news bubblehead's response to a 2017 church shooting, while the ominous refrain that opens the submerged-blues of "Next Mass Extinction" calls back to last summer's clashes in Charlottesville.